This final work deals with the presentation of the Women's Klapa Teha from Cres, first describing folklore and folklore music, then klapa and klapa singing in general, and finally describing the Teha itself based on information obtained from the leader and members of the klapa. At the beginning of the theoretical part of the paper, meaning of folklore is described and explained, and the characteristics of folklore music are stated. Folklore zones and regions are listed and each one is explained. An attempt is made to explain the concept of klapa, klapa singing, and to describe and list the characteristics of klapa singing in more detail. Also, different klapa models are mentioned and explained. After that, there is a part that focuses on the Women's Klapa Teha from Cres. In this main part, we learn about the very beginning and creation of the klapa Teha, their repertoire and the types of songs they sing. Two CDs of the klapa Teha are shown and described, and the songs on them are listed. The process of creating the ideas for the klapa Teha´s uniforms, which were designed by the textile and clothing designer Vesna Jakić, is described.